Lucha Libre ist Kult in Mexiko. Kaum jemand weiß das besser als El Hijo del Santo, wohl der berühmteste Luchador des Landes. Seit 35 Jahren. Übersetzung Spanisch-Deutsch für luchador im PONS Online-Wörterbuch nachschlagen! Gratis Vokabeltrainer, Verbtabellen, Aussprachefunktion. Luchador!, von Autor Mark Rivera, ist durch das mexikanische Wrestling, dem Lucha Libre, inspiriert. Und das merkt man dem Spiel an! Man kann praktisch den.
Lucha LibreEl Luchador, Konradstrasse 69, Zürich. Mexikanisches Essen ohne Kompromisse. Frische und Authentizität als Konzept. Seit Übersetzung Spanisch-Deutsch für luchador im PONS Online-Wörterbuch nachschlagen! Gratis Vokabeltrainer, Verbtabellen, Aussprachefunktion. Übersetzung im Kontext von „luchador“ in Spanisch-Deutsch von Reverso Context: mejor luchador, luchador profesional.
Was Sind Luchadores Inhaltsverzeichnis VideoCGI Animated Short FilmCGI Animated HD \ Lucha Libre (span. für Freistilkampf) ist eine Form des professionellen Wrestling, die in Mexiko entwickelt wurde. Lucha Libre geht zurück auf die frühen er. Übersetzung für 'luchador' im kostenlosen Spanisch-Deutsch Wörterbuch und viele weitere Deutsch-Übersetzungen. Kim Dae Jung es uno de los grandes luchadores por la democracia y los derechos humanos en Asia, que ha pagado un alto precio por esta lucha. more_vert. Übersetzung im Kontext von „luchador“ in Spanisch-Deutsch von Reverso Context: mejor luchador, luchador profesional.
Versuchen Sie Ihr GlГck und erstellen Sie Was Sind Luchadores eigenen Casumo Avatar, darf sich. - Wie wird Luchador! gespielt?Nicht zuletzt kann man mit der Lucha Libre auch den sozialen Aufstieg schaffen Bierdosen 0 33 reich werden.
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A luchador is a professional Mexican wrestling performer, and lucha libre is the form of professional wrestling where the luchador performs. Lucha libre is popular in Mexico as well as other Spanish speaking areas, and is known for its wide array of wrestling holds and moves, especially high-flying wrestling acrobatics, as well as its fast pace.
Typically a luchador wears a mask that has been popularized by the sport, but this is not essential. Lucha libre became popular in Mexico in the early 20th century, and was further popularized through the advancement of television around the world.
One such line integrated to the United States professional wrestling scene is Los Guerreros. The rules of lucha libre are similar to American singles matches.
Matches can be won by pinning the opponent to the mat for the count of three, making him submit, knocking him out of the ring for a predetermined count generally twenty or by disqualification.
Using the ropes for leverage is illegal, and once a luchador is on the ropes, his opponent must release any holds and he will not be able to pin him.
Disqualifications occur when an opponent uses an illegal hold, move such as the piledriver , which is an illegal move in lucha libre and grounds for immediate disqualification, though some variations are legal in certain promotions , or weapon, hits his opponent in the groin faul , uses outside interference, attacks the referee, or rips his opponent's mask completely off.
A rule unique to lucha libre applies during tag team matches, which is when the legal wrestler of a team touches the floor outside the ring, a teammate may enter the ring to take his place as the legal competitor.
As the legal wrestler can step to the floor willingly, there is essentially no need for an actual tag to a teammate to bring him into a match.
This often allows for much more frenetic action to take place in the ring than would otherwise be possible under standard tag rules.
The antecedents of Mexican wrestling date back to , during the French Intervention in Mexico , Enrique Ugartechea, the first Mexican wrestler, developed and invented the Mexican lucha libre from the Greco-Roman wrestling.
In the early s, professional wrestling was mostly a regional phenomenon in Mexico until Salvador Lutteroth founded the Empresa Mexicana de Lucha Libre Mexican Wrestling Enterprise in , giving the sport a national foothold for the first time.
The promotion flourished and quickly became the premier spot for wrestlers. As television surfaced as a viable entertainment medium during the s, Lutteroth was then able to broadcast his wrestling across the nation, subsequently yielding a popularity explosion for the sport.
Moreover, it was the emergence of television that allowed Lutteroth to promote lucha libre's first breakout superstar into a national pop-culture phenomenon.
In , lucha libre would be forever changed when a silver-masked wrestler, known simply as El Santo The Saint , first stepped into the ring.
He made his debut in Mexico City by winning an 8-man battle royal. The public became enamored by the mystique and secrecy of Santo's personality, and he quickly became the most popular luchador in Mexico.
His wrestling career spanned nearly five decades, during which he became a folk hero and a symbol of justice for the common man through his appearances in comic books and movies , while the sport received an unparalleled degree of mainstream attention.
He achieved international fame as one of the first high-flyers, something he was not considered in Mexico, where he fell under the mat-power category.
Luchadores are traditionally more agile and perform more aerial maneuvers than professional wrestlers in the United States , who more often rely on power and hard strikes to subdue their opponents.
The difference in styles is due to the independent evolution of the sport in Mexico beginning in the s and the fact that luchadores in the cruiserweight division peso semicompleto are often the most popular wrestlers in Mexican lucha libre.
Rings used in lucha libre generally lack the spring supports added to U. For this same reason, aerial maneuvers are almost always performed to opponents outside the ring, allowing the luchador to break his fall with an acrobatic tumble.
Lucha libre has several different weight classes, many catered to smaller agile fighters, who often make their debuts in their mid-teens.
This system enables dynamic high-flying luchadores such as Rey Mysterio, Jr. Lucha libre is also known for its tag team wrestling matches.
The teams are often made up of three members, instead of two as is common in the United States. These three man teams participate in what are called trios matches, for tag team championship belts.
Of these three members, one member is designated the captain. A successful fall in a trios match can be achieved by either pinning the captain of the opposing team or by pinning both of the other members.
A referee can also stop the match because of "excessive punishment". He can then award the match to the aggressors.
Falls often occur simultaneously, which adds to the extremely stylized nature of the action. In addition, a wrestler can opt to roll out of the ring in lieu of tagging a partner or simply be knocked out of the ring, at which point one of his partners may enter.
As a result, the tag team formula and pacing which has developed in U. There are also two-man tag matches parejas , as well as "four on four" matches atomicos.
In modern lucha libre, masks are colorfully designed to evoke the images of animals , gods , ancient heroes and other archetypes , whose identity the luchador takes on during a performance.
Virtually all wrestlers in Mexico will start their careers wearing masks, but over the span of their careers, a large number of them will be unmasked.
Sometimes, a wrestler slated for retirement will be unmasked in his final bout or at the beginning of a final tour, signifying loss of identity as that character.
Sometimes, losing the mask signifies the end of a gimmick with the wrestler moving on to a new gimmick and mask. The mask is considered sacred to a degree, so much so that fully removing an opponent's mask during a match is grounds for disqualification.
During their careers, masked luchadores will often be seen in public wearing their masks and keeping up the culture of Lucha Libre, while other masked wrestlers will interact with the public and press normally.
However, they will still go to great lengths to conceal their true identities; in effect, the mask is synonymous with the luchador.
El Santo continued wearing his mask after retirement, revealed his face briefly only in old age, and was buried wearing his silver mask. More recently, the masks luchadores wear have become iconic symbols of Mexican culture.
Contemporary artists like Francisco Delgado and Xavier Garza incorporate wrestler masks in their paintings. Although masks are a feature of lucha libre, it is a misconception that every Mexican wrestler uses one.
With the importance placed on masks in lucha libre, losing the mask to an opponent is seen as the ultimate insult, and can at times seriously hurt the career of the unmasked wrestler.
Putting one's mask on the line against a hated opponent is a tradition in lucha libre as a means to settle a heated feud between two or more wrestlers.
Im modernen Lucha Libre werden Masken farbenfroh entworfen, um Bilder von Tieren, Göttern, antiken Helden oder anderen Fantasiefiguren hervorzurufen, in deren Identität der Luchador während des Kampfes schlüpft.
Nahezu alle Luchadores in Mexiko beginnen ihre Karriere in Masken, aber fast alle werden irgendwann im Laufe ihrer Karriere einmal demaskiert.
Manchmal wird ein Luchador, für den ein Rücktritt vorgesehen ist, in seinem letzten Kampf oder am Anfang seiner letzten Tour demaskiert, womit die dargestellte Figur ihre Identität verliert.
Luchadores werden während ihrer Karriere auch in der Öffentlichkeit oft mit ihrer Maske gesehen. Im Prinzip ist die Maske mit dem Luchador gleichzusetzen.
El Santo , ein sehr populärer Luchador, trug seine Maske sogar nach seinem Rücktritt, enthüllte seine wahre Identität erst im hohen Alter und wurde sogar mit seiner Maske begraben.
Die Figur war allgegenwärtig.